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But in the following year’s annual he showed three crayon drawings, a painting belonging to William W. Johnson had sent paintings from Washington to the Academy annual exhibitions of 18 these were works related to his European experience. In the spring of 1858 he opened a studio in New York. Johnson spent most of the next two and a half years in Washington, D.C., and Cincinnati, Ohio. His mother’s death in the autumn of 1855 necessitated his return to America. He then went to Paris, where he studied under Thomas Couture. At the end of that year he went to live in The Hague, where he remained, with some excursions around Northern Europe, studying Dutch and Flemish masters such as Rembrandt and Van Dyck and painting portraits, until 1855. He first attended the Düsseldorf Akademie and then, in early 1851, entered the studio of Emanuel Leutze. In 1849 Johnson, who had made some tentative tries at working in color, went to study in Düsseldorf. Among Johnson’s sitters during the mid- and late 1840s were Longfellow, John Quincy Adams, Ralph Waldo Emerson, Nathaniel Hawthorne, Dolley Madison, and Daniel Webster. The following year, at the urging of Henry Wadsworth Longfellow, he went to Boston and set up a studio in the Tremont Temple. Capitol as a studio in order to take the likenesses of distinguished individuals living in and visiting the city.
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In the winter of 1844-45 Johnson was in Washington, D.C., with permission to use a Senate committee room in the U.S. He also sought commissions in Massachusetts and Rhode Island. Four years later, having found lithography to be dull and unrewarding, he returned to Augusta and launched himself as a crayon portraitist. Consequently, around 1840, he was sent for a year to Bufford’s lithography shop in Boston to learn that trade. He demonstrated a marked talent for drawing at an early age but none for the dry-goods business in which his father first placed him. The art historian Ila Weiss has suggested that both the Metropolitan's and the Pennsylvania Academy's portraits were executed after his death, from memory with the assistance of studies presumably made in Gifford's lifetime, surely including this portrait of his friend retained by Johnson.Įastman Johnson grew up in Fryeburg and Augusta, Maine. Gifford was fifty-seven years of age at his death in August 1880. The Metropolitan Museum's portrait, which is dated 1880, is especially close to the Academy's portrait in pose and manner of execution. One was in Gifford's widow's possession, and eventually passed into the collection of The Metropolitan Museum of Art, New York the other is in the collection of the Pennsylvania Academy of the Fine Arts, Philadelphia.
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Johnson was a close friend of Sanford Gifford, and painted at least two other portraits of him, both of which picture him at about the same age. 1880, Oil on canvas, 26 5/8 × 22 1/4 in., National Academy of Design, New York, Gift of Mrs.